Guide
Pricing & Negotiation
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When a fixed-fee deal with a foreign creator is signed in one currency but paid weeks or months later, the exchange rate can have moved in between — and unless the contract says otherwise, it's unclear who absorbs that difference. The three most common solutions are locking the rate at signing, using the rate on the invoice date, or sharing movement within an agreed band. None of the three is required by law in Denmark — it's a negotiation point that belongs explicitly in the contract, not left to assumption.
A fixed-fee deal with a foreign creator typically sets an amount in one currency — say USD or EUR — at the moment the contract is signed. Payment happens later: after delivery, approval and an invoice deadline that's often weeks or months after signing. In that gap, the exchange rate can move. If the contract doesn't say which rate applies, or when it's locked, it isn't automatically clear who gets the benefit or the cost of that movement — and most parties only discover it when the accounting or the payout doesn't match what was planned at signing. This is a different question from the transfer method and its fees — this isn't about what the transaction costs in fees, it's about which rate the amount itself is calculated against.
There's no single standard solution in practice — but three clause types cover most deals, depending on how long the gap is between signing and payment, and how much predictability each side needs to budget around.
| Mechanism | When the rate is locked | Consequence | Best fit |
|---|---|---|---|
| Fixed at signing | The rate on the contract's signing date | Both sides immediately know the final amount in the other currency — but whichever party has to convert to pay is locked in, whether the rate later moves in their favour or against them | A short gap between signing and payment (days to a couple of weeks) |
| Fixed at invoice date | The rate on the date the invoice is issued (typically after delivery) | The amount tracks the market more closely at the point payment is actually imminent, rather than a rate that could be weeks or months stale — but neither side knows the exact amount until the invoice is actually issued | A long production or delivery timeline, where a signing-date rate would be outdated by the time money moves |
| Shared-risk band (collar) | The signing-date rate, but only within an agreed tolerance (e.g. ±2%) | Movement inside the band doesn't change the amount; movement beyond the band is typically split 50/50 between the parties or triggers a renegotiation | Ongoing retainers or ambassador deals that run over several months or a full year |
For a one-off campaign paid within a couple of weeks, the typical rate movement is often small enough that the choice of mechanism doesn't make much difference. For a retainer or ambassador relationship paid monthly over a full year, the same uncertainty compounds twelve times over — a rate that looked reasonable when the contract was signed in January can be significantly stale by the December payment. That's where a band or a standing renegotiation clause tends to make more sense than locking the entire relationship to a single rate from day one.
Yes. Danish contract law is built on freedom of contract — parties can, as a starting point, freely agree who bears a given risk, including exchange-rate risk, and how it's calculated. The one general limit is aftaleloven § 36, which can set aside an agreed term if enforcing it would be unreasonable or contrary to fair dealing — the same provision already used elsewhere on the Academy to assess other one-sided contract terms in influencer deals. A clearly worded, mutually negotiated currency clause doesn't typically raise that issue; a clause that unilaterally puts all the risk on one side with nothing in return could in theory face closer scrutiny, but that's the exception, not the rule.
The figures and rates below are invented purely for this example. They are not a documented or expected currency movement, and this is not a real Make Influence customer case.
A Danish brand signs a fixed fee of USD 3,000 with a creator, paid in USD. The contract is signed on 1 March at an assumed rate of 6.85 DKK/USD. The invoice is issued on 1 May, two months later. Here's what the three mechanisms mean for the brand's DKK cost under two opposite, invented scenarios:
| Mechanism | Scenario A: rate rises to 7.05 DKK/USD | Scenario B: rate falls to 6.60 DKK/USD |
|---|---|---|
| Fixed at signing (6.85) | DKK 20,550 — the brand is protected from the rise | DKK 20,550 — the brand also doesn't benefit from the fall |
| Fixed at invoice date | DKK 21,150 — the brand bears the full rise | DKK 19,800 — the brand gets the full benefit of the fall |
| Shared-risk band (±2%, split 50/50 beyond it) | DKK 21,055.50 — partially exposed beyond the band | DKK 19,969.50 — partially benefits beyond the band |
Notice that the creator's contracted amount stays exactly USD 3,000 across all three rows — the mechanism only decides what those same 3,000 USD cost the brand in DKK. There's also a second, uncontracted risk: if the creator then has to convert the USD they received into their own home currency (say EUR), that conversion happens at whatever time and rate suits them, something the brand's contract normally has no influence over at all — a risk the creator carries alone, regardless of what the brand's contract says.
In Make Influence's experience, exchange-rate risk rarely comes up in the initial negotiation with a foreign creator — both sides naturally focus on the fee itself and the deliverables, and the clause only becomes a problem once the numbers don't match. Our recommendation is to treat it as a short, standing line in the default contract from the outset — not because the movement is typically large for a one-off campaign, but because writing one sentence down in advance is cheaper than renegotiating an amount after both sides already have an expectation.
Yes — Danish contract law is built on freedom of contract, and the parties can freely agree who bears exchange-rate risk. The one limit is aftaleloven § 36, which can set aside a clearly unreasonable term.
Then it's unclear, and it shouldn't be left to assumption — write it in explicitly as part of the other core terms the contract should fix.
Not in the same way — see upfront vs commission. A commission amount only exists once the sale itself happens, so there's no fixed amount to lock a rate against in advance.
That's a separate question — the payment method determines the fee and how transparent the rate is inside the transaction itself, see how to pay international influencers. This article covers which rate the amount is calculated against, regardless of which method you use to send it.
No. For a small, one-off payment, the administrative overhead is rarely worth it — a band mechanism makes most sense for retainers and longer relationships, where the same uncertainty repeats month after month.
No, it's a separate question. Exchange-rate risk is about the size of the amount itself in DKK; withholding tax is about whether part of the amount needs to be withheld and reported to the tax authorities. See withholding tax (kildeskat) on payments to foreign influencers for that rule.
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