Guide
Influencer Marketing Basics
Both
The UK is no longer covered by the EU's UCPD or Digital Services Act — since Brexit, its own advertising self-regulator, the ASA, enforces its own CAP Code, with its own set of approved labels ("Ad", not "#gifted" or "#sp") and a two-part test for whether content falls under the rules at all. The sharpest difference is enforcement: since 6 April 2025, the UK's competition and markets regulator, the CMA, can fine directly for up to 10% of global turnover, bypassing the courts entirely — something Denmark's Forbrugerombudsmanden cannot do on its own.
The UK left the EU's single market at the end of 2020, and since then has run its own, independent advertising standard: the CAP Code (the Advertising Codes), written by the Committee of Advertising Practice and enforced by the Advertising Standards Authority (ASA). This isn't a British translation of the EU's Unfair Commercial Practices Directive (UCPD) — it's a distinct rulebook, separate from Denmark's and the EU's rules covered in influencer marketing disclosure rules in Denmark and the EU, which this article builds on rather than repeats.
There's also a newer, independent development on the enforcement side: since 6 April 2025, the underlying UK consumer-protection statute itself is no longer the EU-derived rulebook either (the Consumer Protection from Unfair Trading Regulations 2008, which implemented the UCPD into UK law) — it has been replaced by a new, domestically drafted law, the Digital Markets, Competition and Consumers Act 2024 (DMCC Act), whose Parts 3 and 4 came into force that date. That's a further step away from a shared starting point with the EU, not just a technical rename.
The ASA uses its own two-stage test to decide whether a piece of influencer content falls within the CAP Code as a so-called "advertisement feature": content "the content of which is controlled by the marketer, not the publisher, that is disseminated in exchange for a payment or other reciprocal arrangement." Both stages have to be satisfied, or the content generally falls outside the ASA's remit as an advertisement feature — though other rules can still apply.
| Stage | What the ASA looks for |
|---|---|
| 1. Payment or reciprocal arrangement | The ASA's own guidance is explicit: "money does not necessarily need to have changed hands," and any mutually beneficial agreement can count as an "other reciprocal arrangement" — that covers a free product sent to an influencer or a brand ambassador contract |
| 2. Editorial control | The ASA examines the degree of editorial control the marketer/brand exerts over the content: requiring specific phrases, hashtags or messages, approval rights before publication, or restrictions on mentioning competitors all count as control |
The ASA's own page on social media remit puts the trigger this way: "if an influencer receives payment or any other incentive (requested or unsolicited) from a brand, or they are otherwise personally or commercially connected to the brand ... any content featuring or referring to the brand will need to be obviously identifiable as advertising." An affiliate link or discount code triggers the same duty — "any content referring to a product for which there's also an affiliate link/code, will count as an ad," per the same source. That mirrors, in practice, the Danish rule of thumb from the sister article: any benefit triggers the duty, whether or not a written agreement exists.
This is where the two systems concretely diverge. Denmark really only accepts one formulation ("reklame for [brand]" or "annonce for [brand]," as the first visible element). The UK accepts several words, but explicitly rejects a number of others — including the exact word many Danish influencers would instinctively reach for when it comes to a gift: "gifted."
| Label | Approved in the UK (ASA)? | Approved in Denmark (Forbrugerombudsmanden)? |
|---|---|---|
| "Ad" / "#ad" | Yes — the ASA's preferred standard | Yes, as a supplement to "reklame for [brand]," but not sufficient alone |
| "Advert" / "Advertisement" / "Advertisement Feature" | Yes | Not a Danish term, but satisfies the same principle if placed first |
| "Gifted" / "#gifted" | No — the ASA judges the word doesn't clearly convey the commercial nature of the post | A free product triggers the disclosure duty just like payment does, but the word "gift"/"free" itself isn't a Danish-approved label either — it still has to read "reklame for" |
| "Sponsored" | No — judged open to interpretation | Not explicitly approved by Forbrugerombudsmanden; the sister article's review doesn't list it as sufficient wording |
| "#sp", "#spon", "#aff", "#collab", "#partner" | No — consumers aren't expected to recognise the abbreviations | No — a hashtag alone is never enough under Danish practice, regardless of wording |
| The platform's own label alone ("Paid partnership") | Not automatically sufficient — should be supplemented | Not automatically sufficient — same conclusion, see Meta's Paid Partnership label vs TikTok's Branded Content toggle |
It's worth noting how similar the two systems actually are on the underlying principle — clear, unambiguous, first — even though the specific approved words differ. A campaign running in both countries can't reuse one piece of wording; it needs two.
The structural difference that matters most in practice is who sits behind enforcement. Forbrugerombudsmanden is a Danish government agency. The ASA, by contrast, is a self-regulatory, industry-funded body — not part of the UK state. The ASA can't fine anyone directly. What it can do is nearly as effective, for a different reason: a public, named list.
The ASA maintains its own page naming influencers who are "in breach of the CAP Code for routinely failing to clearly disclose when they are advertising to consumers on their social media channels." Influencers on the list were contacted by the ASA's compliance team and asked to provide assurance of clear, upfront labelling going forward — and appear on the list because they either failed to give that assurance or later reneged on it. The earliest date this article's research found on the list is 15 July 2025; per the ASA's own page, 26 influencers have since been removed, having been "adjudged — over the period of enhanced monitoring — to have satisfactorily changed their advertising disclosure practices in conformity with rule 2.1." If the assurance isn't honoured, the ASA itself warns of "further targeted sanctions such as ASA paid ad campaigns highlighting the influencer's continued non-compliance and onwards referral to enforcement partners."
It's a different flavour of name-and-shame than Forbrugerombudsmanden's press releases — more systematic, ongoing and publicly accessible as a standing list, rather than one-off cases.
This is where the sharpest difference sits. Since Parts 3 and 4 of the DMCC Act came into force on 6 April 2025, the UK's competition and markets regulator, the Competition and Markets Authority (CMA), can decide for itself whether a trader has breached consumer law — bypassing the courts — and issue a fine directly. Failing to disclose paid promotion within editorial-style content (an "advertorial") is specifically listed as Practice 12 in the DMCC Act's Schedule 20, the list of practices considered "in all circumstances unfair" — with no need to prove consumer harm case by case. The penalty for breaching such a "banned practice" can run up to 10% of annual worldwide turnover, or £300,000, whichever is higher.
That stands in sharp contrast to the Danish model, where Forbrugerombudsmanden doesn't issue administrative fines directly — enforcement instead runs through guidance, injunctions and, ultimately, a criminal case through the courts. Markedsføringsloven does have its own turnover-based penalty framework in § 37 — up to 4% of turnover specifically for cross-border UCPD breaches under stk. 8-9 — but that still requires judicial process; see the EU's Omnibus Directive and the 30-day pricing rule for the full walkthrough of how that penalty framework actually works. The CMA's model is a direct, administrative decision — a structurally different route to a similar-sounding number.
| Denmark / EU | UK | |
|---|---|---|
| Legal basis | Markedsføringsloven § 6(4) + the UCPD | CAP Code (Section 2, rule 2.1) + DMCC Act 2024 (banned practice 12, Schedule 20) |
| Enforcing body | Forbrugerombudsmanden (government agency) | ASA (self-regulatory) + CMA (statutory, new direct fining power since 6 April 2025) |
| What triggers the duty | Any commercial benefit connected to the mention | Payment/reciprocal arrangement and editorial control by the brand (two-part test) |
| Approved label (example) | "Reklame for [brand]" as the first element | "Ad" or "#ad," clear and first |
| Rejected label (example) | Only a hashtag buried at the end | "#gifted," "Sponsored," "#sp," "#collab" alone |
| Public name-and-shame mechanism | One-off press releases | Ongoing, named public list of non-compliant influencers |
| Maximum administrative fine | No direct administrative fine; court case under § 37 (up to 4% for cross-border cases) | Up to 10% of annual worldwide turnover or £300,000 (whichever is higher), decided directly by the CMA |
| Bound by future EU law? | Yes — e.g. the upcoming Digital Fairness Act | No — post-Brexit, independent development |
IF the campaign's content is publicly accessible, AND a UK audience could reasonably be expected to see it, AND the brand paid for or exercised editorial control over the content → write a disclosure that also satisfies the ASA's requirements ("Ad" or equivalent), not just the Danish one.
IF the content is entirely in Danish and targeted at a Danish audience (language, geo-targeting, platform settings) → Danish/EU law is the rule that actually governs; the risk of the ASA acting is meaningfully lower, though not necessarily zero if the brand itself is UK-based and the content remains public.
IF you're unsure, and the collaboration is large, recurring, or involves a UK-based brand → use "Ad" or "#ad" as a supplement to the Danish disclosure. It costs nothing extra and removes the question entirely — exactly the same logic that the review of FTC rules for Danish influencers already recommends for a US brand.
In our experience, the biggest practical risk in a UK-inclusive campaign isn't the disclosure itself — it's quick to fix once you know the difference — it's that a brief written for a Danish audience gets reused unchanged for UK creators, because no one explicitly flagged that the word "gifted" doesn't work in the UK. We recommend writing the target country into the brief for each individual creator, specifying the exact, approved wording for that country — exactly the same principle that already applies to the Danish disclosure duty in the sister article, just extended to cover more than one country. For a campaign running across several Nordic countries at once, the same logic applies at an even larger scale; see running an influencer campaign across the Nordics for how wording and the enforcing authority vary country by country within the Nordics.
In the UK: no. The ASA judges that "gifted" doesn't clearly convey that the content is advertising. If there's also an expectation of a mention (the typical situation when a brand sends a product), the disclosure duty is triggered under both systems — only the actual wording differs.
Yes, potentially. The ASA's two-part test looks at whether the brand paid or exercised editorial control — not at where the brand itself is headquartered. A Danish brand running content that could reasonably reach UK consumers can in principle be named in an ASA ruling in the same way a UK brand would be.
No. The ASA is a self-regulatory, industry-funded body, not part of the UK state. The statutory backstop is the CMA, which since 6 April 2025 has its own direct fining power under the DMCC Act — but that power sits with the CMA, not with the ASA itself.
They face enhanced monitoring and spot checks for a period. Continued non-compliance can lead to further sanctions, including ASA-paid ads highlighting the continued non-compliance, and referral to other enforcement authorities. Per the ASA's own page, 26 influencers have since been removed from the list after changing their practices.
Yes — the CAP Code and ASA enforcement are British, self-regulatory advertising regulation, independent of EU membership. That's exactly the point of this article: the rules don't derive from the EU and don't automatically track EU law when it changes — unlike Denmark, where upcoming EU initiatives like the Digital Fairness Act will directly affect the Danish legal position.
No — this article specifically compares Denmark and the UK. See running an influencer campaign across the Nordics for a comparison of Denmark, Sweden, Norway and Finland, which follow a different rulebook than the UK's.
Not automatically. Same conclusion as in Denmark: the ASA's guidance points to platform labels needing to be supplemented with a clear, text-based disclosure — see Meta's Paid Partnership label vs TikTok's Branded Content toggle for how the tools themselves work.
Make Influence
Find creators with real audience data, run collaborations in one place, and see clicks and sales per creator while the campaign is live.
Book a demoCreate accountMake Influence
Apply to campaigns from brands that are actively looking, follow your own clicks and sales, and get paid without chasing invoices.
Create creator profileMore creator guidesMake Influence
Briefs, agreed terms, tracking links and results sit together — so brands and creators see the same numbers.
See how it worksBrowse the Academy